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Grads chose between filet steak and fresh salmon, and were treated to a sumptuous main course and desert. What most of the grads will remember from that night is not, however, the wonderful food, but the words that were spoken in that Tudor inn by their peers and Mrs. A Lifer from each house gave a speech in remembrance of the years gone by, and the speeches truly brought us all back to those first Grade 8 days: the confusion, the tingling of nerves, excitement for the challenges and opportunities that seem so wonderful when one first begins as a student at Brentwood.

The speakers chosen were certainly seasoned in their trade.

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Anastasia Kosteckyj, Debate Captain, tournament champion, and rower, gave the speech for Allard house. Chris Wong, the man of few but vital words represented Whittall. And likely the most notable speech heard that night came from Mairi Horth of Mackenzie house, who embodied the meaning of Lifer perhaps greater than any other that night. Through the years she has transformed into a fantastic soccer player, academic, and socialite, and so entertained the party that night that she has now been chosen to be Valedictorian for the graduating class.

Such a story is common among those who are graduating from the lifer group this year. November 5, Retrieved June 8, March 11, Retrieved November 9, — via YouTube.

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ACS Symposium Series. ACS Publications. The Critical Eye. November 11, Archived from the original on June 3, Retrieved August 28, Retrieved October 7, Retrieved November 26, About Gillian — Biography page 2 ". Sadler's Wells Theatre. Retrieved November 5, Broadcasting Press Guild. March 31, Retrieved October 14, February 26, September 19, December 11, Retrieved September 30, The Daily telegraph. Laurence Olivier Award. Retrieved December 27, Living in Rome. October 2, Retrieved August 20, Retrieved August 22, February 3, Retrieved February 4, September 20, Retrieved March 11, Retrieved August 31, Archived from the original PDF on June 28, The Knowledge Online.

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Young Vic Theatre. Archived from the original PDF on September 6, Retrieved July 20, Retrieved May 28, Retrieved July 28, Entertainment Weekly.

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Retrieved August 25, Deadline Hollywood. The Daily Beast. Retrieved June 12, Ann's Warehouse. Retrieved July 18, TheFall returns. Retrieved September 14, — via Twitter. January 11, Retrieved February 12, The Hollywood Reporter. Retrieved September 18, Retrieved April 24, The A. Retrieved January 14, Screen Daily. TV Guide. Retrieved January 11, Gamers Nexus.

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Radio Times. Retrieved May 17, Retrieved February 21, Laurence Olivier Awards. The Times subscription required. Retrieved January 21, Retrieved September 7, Retrieved August 19, June 26, March 13, Chuck Kahn. September 6, Retrieved September 9, — via YouTube. New Beauty. Retrieved October 26, April 24, The Sunday Times. November 19, Retrieved April 6, October 20, Retrieved February 5, Us Weekly. Retrieved August 8, Retrieved December 1, Retrieved September 15, The Wall Street Journal.

Retrieved November 28, November 23, December 12, Retrieved April 3, January 23, Retrieved February 18, Retrieved August 2, Retrieved August 24, — via Twitter.

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June 22, Retrieved August 24, City Literary Institute. Retrieved January 27, Library of Congress. May 20, Retrieved May 8, Yet the affliction that I have observed threatens children of the wealthy as well as children of the poor. It is true, of course, that the danger wears many faces; and in critical ways the faces that it wears in our poorer communities are more menacing. Or, a bit more precisely, it is one interconnected web of problems that define a common pattern.

A term that I use to capture the interconnected web is demoralization. The notion of demoralization places the source of our predicament squarely in that nebulous domain called culture. Critics of modern culture have shown how the rise of unbridled individualism and egoism have undermined our long-standing sense of moral commitment. Although I indeed do see this as part of the problem, my focus in the present book is not on the misplaced cultural values themselves, nor on their overall societal effects.

There has been enough written on those scores already. Rather, my focus in this book is on a specific set of misconceptions about children and the damaging childrearing practices that result from these misconceptions.

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Modern cultural sensibilities no doubt have fostered some of these misconceptions; and these same sensibilities also have sheltered the misconceptions from critical examination. In turn, the misconceptions now play a significant role in nourishing certain modern leanings, such as unabashed egoism, by ensuring their transmission across generations.

Apart from their links to general cultural sensibilities, the misconceptions have an origin and a life of their own.

In fact one of the many ironies that I shall be discussing is that parents who disdain egoistic values, and whose explicit goal is to raise their children with a strong sense of social responsibility, often make parenting choices that lead their children in the opposite direction from the one they intend. My original working title for this book was With best intentions, because I believe that there are no villains in this story, only many unintended casualties.

The errors that trouble me are not the product of hatefulness or calculated mischief. To the contrary, most adults in our society have a genuine concern for the younger generation. But it is a concern led astray by popular misconceptions about the nature of children and their developmental needs. When led too far astray, as I have seen it on too many occasions, this concern can turn into a misguided attempt to shield children from the formative challenges of responsibility and reality.

The consequences for children, for their senses of self, for their spirits of initiative, and for their moral fibre, are serious and lamentable. This is why I was tempted by the associations with my first working title: roads paved with good intentions can indeed lead to unfortunate places. In the end, though, this seemed a bit too apocalyptic, even for my current mood.

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